1867 - 1943 Australian painter. He moved to Melbourne with his family when he was seven. In 1882 he enrolled as a student of drawing at the evening classes of the National Gallery School of Design and briefly in the School of Painting, but he had no sustained formal instruction in painting. At the same time he began making watercolour sketches of Melbourne, and by 1886 his skill led to an apprenticeship as a lithographer to George Troedel and Co. of Collins Street. The most important early influence on Streeton was Tom Roberts, who had returned to Melbourne from Europe in 1885. With Frederick McCubbin, Streeton and Roberts painted en plein air at a temporary camp at Box Hill, forming what became known as the HEIDELBERG SCHOOL. A little later Streeton established the first permanent artists' camp at Eaglemont, north-west of Melbourne, overlooking the Yarra Valley, where he painted some of his most memorable works. 'Still glides the stream and shall forever glide'   Related Paintings of Arthur streeton :. | Golden Summer (nn02) | Still glides the stream, and shall for ever glide | Still glides the stream | Princess Burke Wills | Fire's on (lapstone tunnel) |
Related Artists:
John Kane
1860-1934 American painter of Scottish birth. In 1879 Kane emigrated to western Pennsylvania. He worked as a bricklayer, coal miner, steel worker and carpenter in the Ohio River valley and, in 1890, began to sketch local scenery. After losing his leg in a train accident in 1891, he was employed painting railway carriages. When his son died in 1904, Kane left his family and spent years wandering and working in odd jobs; his earliest surviving paintings date from around 1910. Settling in Pittsburgh, he worked as a house painter and in his spare time painted portraits, religious subjects, the city's urban landscape and memories of his Scottish childhood. In 1927 the jury of the Carnegie International Exhibition, Pittsburgh, encouraged by the painter-juror Andrew Dasburg (b 1887), accepted Kane's Scene in the Scottish Highlands (1927; Pittsburgh, PA, Carnegie Mus. A.). Kane's success, at first considered a hoax by the press, was based on the modernist interest in primitive and folk art. His work was regarded as non-academic and boldly original, and he became the first contemporary American folk artist to be recognized by a museum. Larimer Avenue Bridge (1932; Pittsburgh, PA, Carnegie Mus. A.) is characteristic of his style with its meticulous detail, flat colour and dominant green and red. Though he sketched and painted on the site, Kane freely transposed pictorial elements to create a more pleasing composition. This innate compositional sense is evident in his Self-portrait (1929; New York, MOMA).
Heinrich Martin Krabbe
painted Young Lady in 19th/20th century
Daniel Seghers
Flemish Baroque Era Painter, 1590-1661 was a Jesuit brother and Flemish Baroque painter who specialized in flower still lifes, and is particularly well-known for his contributions to the genre of "flower garland" painting. His paintings were collected enthusiastically by courtly patrons and he had numerous imitators. Born in Antwerp, Seghers moved to the Dutch Republic around 1601, following the death of his father Pierre and the conversion of his mother to Calvinism.[1] The young artist returned to Antwerp by 1611, where he was enrolled in the guild of St. Luke as a student of Jan Brueghel the Elder.After re-converting back to Catholicism, in 1614 he became a noviciate in the Jesuit order in MechelenUntil 1625 Seghers continued to work as a painter in Antwerp, as well as a stay in Brussels in 1621Sources differ regarding his status in the Jesuit order: some claim that he was ordained a priest in 1625,while other argue that he remained a lay brother.